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It’s difficult to imagine, with his heavy and non-linear films, that Christopher Nolan (The Dark Knight, Inception) is another name that doesn’t use storyboards or shot lists. He says, “I don’t do storyboards, I just wrote this intense script that described it.” He didn’t even storyboard the 10-minute anime scene in Kill Bill Vol. In an interview with Cinescape, Quentin Tarantino (Pulp Fiction, Django) mentions that he doesn’t storyboard. Other storyboards are usually… comic books… so amazing that you don’t need to do the movie.”
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His were very deliberately just diagrams, stick figures, and arrows… They were simply diagrams of energy. He says of Scorsese, “Marty’s storyboards are an exception. He does, however, appreciate Scorsese’s style of simple storyboards. “I think that if they are at all carefully done they sap energy from the the actual shooting.” Michael Chapman, Scorsese’s cinematographer, comments that he loathes storyboards. For me, I don’t want the plug to be pulled in any way, so at least I know I had to get certain shots in order to tell a story.” They have the gift of working it out on the spot. Part of that is security when you go on a set fairly secure, I feel that I can tell people what I want.” He mentions that his way of visualising is not the same method as other directors, “Particularly in low-budget filmmaking, a lot of people don’t use storyboards or drawings or notes. He says in an interview that drawing stick figures and arrows to visualise a scene is “the most essential process of making a film.” He goes on, “Even if I don’t use or utilise all those shots, because it’s a process that I have interpreted the picture, in a way, in my head and I know how to see it. The director drew his own storyboard for Taxi Driver and Raging Bull, and keeps his drawings very simple to make room for creativity when shooting begins. Stick figures are also the preferred style for Martin Scorsese. I’ll give the sketch artist an idea of what I want.” “I do most of the original sketches myself,” he says, “I do stick figures and things, I can do perspectives, I can at least put depth in drawings, but I can’t draw. He goes on to admit he can’t draw but still roughs-out early thumbnails. He explains, “Six months to sit with a sketch artist and just draw pictures and throw them away. Spielberg (Jaws, Jurassic Park) quoted in 1978 that he spends six-months per film working through a storyboard to conceive a movie. Read More: Shot List: What is a shot list? The ultim ate shot list guide! A director’s personal choiceįamed-directors such as Martin Scorsese, Steven Spielberg, and Woody Allen swear by storyboarding, whereas Christopher Nolan, Quentin Tarantino, and Clint Eastwood do not. Everyone has their way of doing things, and using a storyboard is not a method that all filmmakers choose to use. Read More: How to become a film director Why use a storyboard?ĭeveloping a storyboard can not only help a filmmaker visualise the movie in preparation for shooting scenes but also help the film crew understand their ideas.įilms that involve many special effects, CGI, elaborate fight or action scenes, for example, may benefit from a storyboard to make it clear how the shot will be captured. Directors may prefer a storyboard artist if they aren’t able to draw, to save on time, or for their artistic ideas and input. A cinematographer or production designer may also be involved during this stage. Other directors may use a storyboard artist to complete a detailed version of their thumbnails. For some filmmakers, this is as far as their storyboarding goes, choosing to fill in the blanks on-set using inspiration on the day of shooting. Who creates a storyboard?Ĭommonly, a director will at least create rough sketches, known as thumbnails. This method of planning can help visualise each scene before filming begins and is used to help the transition from script to the big screen. In the words of Sir Ridley Scott (Alien, Bladerunner), a storyboard is “rather like a sophisticated comic strip.” Drawings in a series of boxes from left-to-right represent each camera shot in an entire film. Whether you choose to use this method of planning for your on-screen visuals or not, it’s worth testing the basics to see if it’s for you. It is particularly helpful for complex stories in fantasy, action, or adventure genres, and crucial for animated films. For short indie films or Hollywood blockbusters, storyboarding is a well-known tool in the movie industry.